Datasheet
Sarah Maldoror. Cinema tricontinental
Fugint d’una mirada estereotipada envers l’Àfrica (“No m’interessa mostrar la pobresa –escriu- m'estimo més intentar trobar la poesia”), Maldoror s’endinsa en la lluita per l'alliberament d’Angola i la filma a través de la perspectiva d'una dona i mare. Amb el fill en braços, Maria recorre Luanda de presó en presó buscant el seu marit detingut per oficials portuguesos.
Restored by Cineteca di Bologna and The Film Foundation’s World Cinema Project at L’Image Retrouvée (Paris) from the 35mm original negatives, in association with Éditions René Chateau and the family of Sarah Maldoror. Funding provided by Hobson/Lucas Family Foundation. This restoration is part of the African Film Heritage Project, an initiative created by The Film Foundation’s World Cinema Project, the FEPACI and UNESCO – in collaboration with Cineteca di Bologna – to help locate, restore and disseminate African cinema
With the collaboration
